Black-and-White (B&W) Photography Guide
Essential Camera Settings
Shoot RAW (Best Practice):
Why? Full control in post. More dynamic range.
Tip: Set your camera preview to monochrome so you can see B&W in live view or playback while still capturing full-color RAW.
Key Settings:
ISO: Lowest native ISO for fine grain (100–200).
Aperture: Control depth—f/5.6–f/11 for landscapes; wide open for portraits.
Shutter Speed: Adjust for motion blur or sharpness.
White Balance: Doesn’t matter for RAW, but set to “Daylight” for consistent previews.
Visualizing in Black & White
What Looks Great in B&W?
Strong Contrast: Light vs dark = drama.
Defined Shapes & Lines: Geometry pops.
Texture & Detail: Rust, wrinkles, rocks—rich surfaces sing.
Backlight & Side Light: Emphasize depth, form, mood.
Flat Light? Look for texture & tonal variation.
Quick Trick: Use your EVF in mono mode—see the light, not the color.
Common Mistakes to Avoid
Relying on Color to Carry the Image: Ask, “Would this still work in grayscale?”
Flat Contrast: Push shadows & highlights for depth.
Poor Subject Separation: Watch for same-tone backgrounds.
Overprocessing: Keep it punchy, not crunchy.
Ignoring Light Direction: Light is your sculpting tool.
Best Practices in the Field
Meter for the Midtones: Especially skin or key subject tones.
Use Filters Wisely:
Red/orange: Darken skies, boost contrast.
Green: Better foliage rendering.
Shoot in Harsh Light: Midday sun = drama in B&W.
Look Beyond Color: Focus on shape, pattern, and shadow.
Bracket Exposures in tough lighting for post flexibility.
Post-Processing Tips
Convert with Intent: Don’t just desaturate—use B&W mix sliders.
Control Tone Curves: Create contrast where it matters.
Dodge & Burn: Sculpt light. Draw the eye.
Balance the Mood: High-key (light & airy) or low-key (dark & moody)? Pick a lane.
Sharpen Selectively: Eyes, texture—leave backgrounds soft if needed.
Field Checklist
Before You Shoot:
◻️ Set preview to Monochrome (RAW still in color)
◻️ Scan for light direction & contrast
◻️ Ask: “What’s the story without color?”
While Shooting:
◻️ Compose for shape, form, and negative space
◻️ Meter with purpose—watch for highlight blowouts
◻️ Try different angles to enhance texture/light
◻️ Use filters to alter tone relationships
Post-Shoot:
◻️ Convert using B&W tools, not just desaturate
◻️ Fine-tune contrast & tones
◻️ Dodge & burn for emphasis
◻️ Step back—does it feel complete?
Shoot with intention. Think in tone. Light is your language.